The Vision Behind Moretti’s Wardrobe

In the latest film featuring Moretti, costume design plays a pivotal role in character portrayal and thematic representation. The iconic wardrobe worn by Moretti includes a futuristic ensemble designed by the fashion brand Threeasfour, which notably features a golden shield reminiscent of armor. “It looked like armor, but it was actually vinyl so it was easier to bend and he could move around,” explains costume designer Kurata.

Fire and Fabric: A Climax of Design

A significant moment in the film involves a dramatic scene where Moretti’s white garment ignites. To ensure safety without compromising on aesthetics, Kurata opted for cotton velvet rather than silk, as it burned at a slower rate. “We tested a variety of fabrics with the Pyro guy,” she reveals, highlighting the careful planning that informed this critical design decision.

Cult Members and Their Coordinated Costumes

Moretti’s wardrobe is complemented by the appearances of over 200 cult members, all dressed in costumes that contribute to the film’s unsettling atmosphere. Kurata shared that the design did not specifically reference any existing cult but was inspired by the practice of indigo dyeing, a technique taken seriously in Japanese craftsmanship. “We hired dyers who were dyeing for hours and hours,” she notes about the meticulous process.

Highlighting Distinct Personalities

The film also showcases a range of characters, each with distinctive fashion styles that reflect their unique personalities. For Edebiri’s character, Kurata aimed for a preppy aesthetic, with her initial outfit featuring a colorful vest and board sweater. “We went to the black ivy look,” she states, showcasing a thoughtful approach to character development through costume.

In contrast, the talk show host character, played by Lewis, is dressed in a more eye-catching ensemble, including a bold red Rodarte dress that embodies a “flashy” and possibly “trash” style. The varied fashion choices serve to accentuate the diverse personalities that populate the film, enhancing its narrative richness.

Conclusion

Through innovative materials and careful design choices, Kurata’s costume work in Moretti’s film not only enhances the visual storytelling but also deeply connects to the characters and themes within the narrative. The combination of practical considerations, artistry, and character-driven design is a testament to the role of costume in cinematic storytelling.